University of Notre Dame

 

Hesburgh Libraries

Rare Books & Special Collections

Physical Exhibits in Special Collections

Rare Books and Special Collections regularly presents exhibits of materials from its holdings in our Exhibit Room (102 Hesburgh Library, at the west end of the 1st floor concourse) and on our Web site.

All exhibits are free and open to the public during our regular hours.


Currently on Display

As Printers Printed Long Ago. The Saint Dominic's Press 1916-1936

January - July 2019

The Saint Dominic's Press (SDP) is an important chapter in the story of the Private Press Movement. With its focus on Catholic themes it also played a significant role in the promotion of Catholic ideas about Art in the early 20th century.

Founded in 1916 by the writer and social reformer Hilary Pepler with the intention he wrote of printing as the old printers printed long ago, the SDP was located in Ditchling a village in Sussex. Despite Pepler's enthusiasm for traditional printing practices the SDP was more than a quaint exercise in nostalgia. As the historian of craft Glenn Adamson has noted: The question is not whether the past can be revived (it can't), but what new social forms are brought into being through the act of remembering. Pepler pursued an ambitious agenda and the SDP played a central role in the intellectual, religious and artistic life of the community of artists living in Ditchling.

This exhibition sets the story of the SDP within the larger history of the private press movement in England and examines its artistic as well as literary achievements. The exhibition features different types of publications and posters produced by the SDP. It is the Catholic focus of Pepler's publishing program and the diversity of titles that distinguishes the SDP from other private presses of the era. The SDP actively supported the artistic community in Ditchling and, in particular, the Guild of Saint Joseph and Saint Dominic. This exhibition includes examples of craft handbooks and posters promoting local artists. The SDP also published Catholic literature and liturgical handbooks used by Ditchling's Catholic community. Beyond the village, the SDP served as an important nexus for artists and writers interested in the Private Press Movement, the revival of Wood Engraving, Catholic Social Thought and Catholic Art Theory & Practice of the era. In the early years of the SDP Pepler's friends and fellow villagers the artist Eric Gill and the calligrapher Edward Johnston worked closely with him on the design of various press publications. Items in this exhibition document their friendship and illuminate significant connections between the SDP and a cosmopolitan network of contemporary artists and writers.

Eric Gill's departure from Ditchling in 1924 and Edward Johnston's other professional commitments brought this early collaborative chapter in the history of the SDP to a close. Pepler continued to work with artistic collaborators including Desmund Chute, Philip Hagreen and David Jones until his retirement in 1936.

This exhibit is curated by Dennis Doordan, Professor Emeritus School of Architecture, University of Notre Dame.


Related Events

Exhibit Lecture:

The Saint Dominic's Press 1916-1936, by Dennis Doordan (Professor Emeritus, School of Architecture, University of Notre Dame)

Thursday, January 31 at 3:00pm in Rare Books & Special Collections, Hesburgh Library



Spotlight Exhibits

June-July 2019 | Take Care of my Ghost, Ghost: The Friendship of Allen Ginsberg and Jack Kerouac

Angled view of one of the books on display.

Jack Kerouac and Allen Ginsberg were frequent companions. They were travel buddies. They were, on occasion, party animals. They were also titans of late 20th century literature with a wide-reaching impact still felt today in literature, music, and film. They influenced each other not just as friends, but as writers.

Several items from the Robert Creeley Collection are on display as examples of this: Kerouac's San Francisco Blues and Ginsberg's Declaration of Independence for Dr. Timothy Leary: July 4, 1971 showcase how each were ambidextrous in their written craft. Take Care of my Ghost, Ghost: Allen Ginsberg & Jack Kerouac is a gem of a collection originally published in just 200 copies for friends, containing writings from the two from letters and journals that aren’t as well known.

This exhibit is curated by Amanda Gray, MLS Candidate, Indiana University Purdue University Indianapolis, and RBSC Intern.

 

June-July 2019 | Libros de Lectura: Literacy and Education after the Mexican Revolution / Alfabetismo y Educación después de la Revolución Mexicana

Front cover one of the books on display. The cover is red and includes an image of three seated figures, two adults and a child, all reading.

In the aftermath of the Mexican Revolution (1910-1920), intellectuals envisioned a new national identity that would include all members of society and embody revolutionary values. The country's newly re-formed Ministry of Public Education identified literacy as central to the creation of that identity.

This exhibit showcases literacy-related materials sponsored, approved, or produced by Mexico's Ministry of Public Education, from the 1930s through the mid-1960s. Included are textbooks for children and books promoting literacy among adults, whether workers or indigenous Popoloca-speakers. These items reflect the ministry’s diverse efforts as well as a changing political context in the decades after the Mexican Revolution.

This exhibit is curated by Erika Hosselkus, Curator, Latin American Collections, RBSC.

 

 

For information about previous spotlight exhibits, please refer to the History of Spotlight Exhibits page.


Upcoming Exhibits

Fall 2019

Greek Manuscripts

Spring 2020

Natural History editions from the Greene Collection

Suggest an Exhibit

Many of the exhibits presented by the Department of Special Collections are produced in collaboration with members of the Notre Dame teaching and research faculty and are scheduled to coincide with significant academic conferences at the University. If you have a suggestion for a future exhibit and/or would like to assist in producing one, please contact Special Collections at 631-0290 or by e-mail.